Essay on Light and Dark in Antigone -- Antigone essays

Use of Light and Dark in Antigone The gilded Age of Greece is noted for its many contributions to the creative world, especially in its suppuration of the dep revoke. These performances strived to emphasize Greek morals, and were produced principally for this purpose. Antigone, by Sophocles, is typical. The moral focused on in Antigone is the conflict between physis (nature) and nomos (law), with physis ultimately presiding over nomos. Throughout Antigone, queer Creon is a symbol for nomos, while Antigone stands on the side of physis. To portray these ideas, unaccented and dark images atomic number 18 used as a recurring report to reinforce the theme. Light is used to show up something good that is happening, whereas dark is utilized to show something of which the gods disapprove. Following with tradition, this play uses start to portray what is right in the eyes of the chorus and darkness to reproach the other side. As the play is carried out, the chorus is constantly cha nging its opinions, first believing in the actions of Creon with compliance to nomos, then unsure of what to believe, and finally seeing that Antigones actions are more consonant with the morality of the gods and the truths of physis. Light and darkness are used to support in an emotional way the action of whoever the chorus is siding with at these mixed stages of the play. It is clear that at the beginning of Antigone, the chorus favors the actions of Creon, or nomos. This is shown as Creons intentions and vengeance towards Polyneices are justified by jovial words and resource involving light. In the battle between Eteocles and Polyneices, although both leaders were killed, Eteocles army was the victor. To show that this was compulsory in the eyes of the gods, the first lin... ... with connection to nomos was too high, and images referring to him are today dark and dismal. The play ends as the gods have turned their shoulder on Creon, and have made their final decision that Antigone is ultimately in the right. Because the restore purpose of Antigone is to get a moral point across, the parallels between light and dark and physis and nomos are associated together, and used metaphorically to add diversity and imagery to an otherwise redundant script. In the first scenes, these light and dark images show the reign of Creon. These are followed by the indistinct and ironic middle scenes, and end with the gods choosing Antigones actions over Creons, leaving Creon spiritually dead and paying for his poor choices and conduct. These are very effective techniques, which allow Sophocles to more fully develop his play, and spend it a more emotional edge.